Imelda O'Reilly

A response to Amanda Gorman

Nature is Turning

The still sleeping town hushes, as the heron slips slides through the open sky, rumor shakes the owl as drought hides in the hay, but the rain above in the clouds watching over the cows, sheep and creatures of the earth fall prey

to destruction of nature’s harsh ways, as I rise to meet the road before me the day bathes in luminous light whittling through the tree branches draped across the lines of air and space breathing mystery in time, my whistling mind looks up far and high as the high tide folds into the night across the border

to see my grandfather’s shadow open and close this town’s face, with the wheels of his bicycle going round and round the mulberry bush, to the chapel at Suncroft or the races on the Curragh or to buy cigars in Brownstown at Lyla Doyle’s. In fondness he chases the brilliant breeze one pedal at a time, over and over as the morning song sings to the

climate dong, as I listen to the frosty ice frozen across the summer’s song, before our climate is dwindled or swayed away, I cross the Japanese bridge on the edge of two towns, and the thatch cottage borders the wide wide plain to the misty morning rain, as the puddles loom round standing
still upon the ground.

All the secrets hiding tucked beneath a hedge inside the horse’s ear, deep in treasure their eyes fly smiles that sway and dream -- a well for SUM… as the distant moon turns the day streaming the night light wonderous round as apples, white berries, blackcurrants, as the thistle’s sway rounder the creaky open iron gate, the corner of the world that leads to where…

As the baby calf leads the legends of time crosses, bewildered, and bereft it’s her calf’s earth in the middle of her eye, is the sigh of the burned human cheeks who ignore the beauty’s snore blind and blistered to the roaring roar of nature’s sigh creaking forth in the floors of the mind’s TIDE eye

This pathway, back road and river to the sea line where the lone fisherman leaves the weary town as nature drowns in dread, as I marvel the reflection of the day as the calf turns away, the voice of my grandfather whispers through the leafless tree I stood at noon reflecting the day I rode on the double decker bus my communion bag in hand at the wonder of the sun and sky high a girl of seven turning the mulberry bush round, may my mulberry song swoon a road in a hundred fold for now nature is turning.


I was inspired by Amanda’s quote; I took words from the prompt that spoke to me such as drought and rain. I grew up in Ireland where there is so much rain and I enjoy rainy days so I imagined what the world would look like without rain. I also enjoyed the freedom and energy of Amanda’s poetry and the cadence and rhythm. When I read other poets’ words it speaks to me, and I tune into their cadence and write a response. In a way I feel like Amanda did most of the work and all I did was respond.

My process is embracing an open mindset, playing with words, sound, and rhythm, and hoping to build some element of narrative within the structure of the poem. I’m originally  from Kildare, Ireland so there is a strong heritage about being playful with language that is part of my process and  culture. 

I am also a filmmaker and my experience is that film and poetry are not that dissimilar. Often I begin a film as a poem and that becomes the bones of my idea that I build upon into a larger structure. Poems have always been a way for me to explore my subconscious. When I was performing my poetry to music I coined the term “loems” as they became a hybrid form, not quite a song and not quite a poem.  I had my first poem published in a “Jinty” comic when I was seven years old. I remember being fascinated by Pam Ayres as  child and when I received my check in the post from my first poem I had published titled “Have a Go Girl.” I knew I had fallen in deep when it comes to scribbling.

Process Notes

Process notes go here.

Imelda O'Reilly

Imelda O’Reilly is an Irish independent filmmaker and poet from Kildare, Ireland. Her award winning short films and feature screenplay have been represented at over a hundred film festivals internationally around the world, including Cannes Film Festival, Rhode Island International Film Festival, Cinequest Film and Creativity Film Festival, DOC NYC, Black Maria Film Festival, International Film Festival de Creteil, WorldFest Houston and the Richard Harris International Film Festival.

As a commissioned writer on Song For New York with Mabou Mines her poetry was developed through the Sundance Theater Lab and New York Theater Workshop.  She is the recipient of a Fulbright Fellowship to Morocco where her film Bricks, Beds and Sheep’s Heads was a Regional Finalist for the Student Academy Awards.

Imelda’s short film Eggs and Soldiers was broadcast on RTE and is distributed through ShortsTV Europe. It has screened at over 100 festivals across nine different countries to date. It won an Award of Excellence at the Broadcast Education Association a Tonino Guerra Award for screenwriting from the Chicago Art-house Blow-Up Film Festival. In addition, it received awards from Accolade Competition, Global Shorts, Los Angeles and IndieFest Film Awards. Her most recent short documentary film titled Tumbling Towards Home premiered at Cinequest Film and VR Festival in 2020 and just won a Best Director Award at the Black Maria Film Festival in 2021. She is currently in post-production on a short narrative film titled Suspicious Minds. It was shot on residency at Catwalk Art Residency in Hudson New York.