After Maggie Jaszczak
Pinned to the white wall
the ruched dress pulses
like gills, like an open
throat wetly gasping,
widely tonguing,
a muscle so worn
you could never color it
coral, but ash, animal:
a body that multiplies itself
like spores, like sickness.
Look how the tacks tear
the skin: how delicate the thread
between tenderness and terror,
how black the cords that shape
the hem like shoreline without moonlight.
from Maggie Jaszczak
The blunt edges teeth for danger,
eager to fill the mouth with what presses
against your perspiring nape.
The white paint peels, stiff
as an old valentine that you save
in a bureau drawer, the oak
wood archiving your scents,
your socks, your private wants,
your shames.
Sometimes, in the reddening
morning sunlight, a strand of hair
flashes its tender, tangled flare:
I reach for it –
my needling hunger –
my fistful of frantic air.
Hannah Bonner's poetry has appeared or is forthcoming in So to Speak, Asheville Poetry Review, The North Carolina Literary Review, Two Peach, The Vassar Review, Tinderbox Poetry Journal, and The Pinch Journal. Her essays have been published in VIDA: Women in the Literary Arts, The Little Patuxent Review, Bright Wall/Dark Room, and Bustle.